The first thing I did when I decided to build this blog was attempt to name it. I'm big on names. I like to have the title before I start to write the piece--it doesn't stop me from moving forward if one doesn't present itself, but I will spend some time trying to get everything I want to cover under one decent umbrella before giving up and digging in. In the case of this blog, I had to come up with the name before I could build it. It's the nature of the creation process in the software. "untitled" seemed pretty weak, so I dug in my heels and committed to coming up with a name before going any further. So I talked about it a little with Geof Huth, mostly by offering up a couple of examples of his own work that I felt were representative of the kinds of things I was visualizing and then asking him what he calls them. One result of that set of exchanges was "minimalist concrete poetry", which I thought was a pretty darned good name. I still think it's a good name, but, I'm (obviously) having trouble with the next step, which is tying the knots in the lines to fabricate the net that is going to catch the kinds of fishies I'm after--or originally intended to be after.
Another result of that conversation was a suggestion by Geof that I get ahold of endwar (aka Andrew Russ), because he's done some things that seemed to Geof to be right up this alley. At that time I knew of his work only in the narrowest of terms (we both have pieces in Infinity Poetry show that was put on by Harvard's Dudley Literary Society), and knew the person of him only through a handful of posts he'd made to the spidertangle listserv (which is not to suggest that he's only posted a handful of times, but that, coincidentally, I have specifically put aside for later use and review a selection of his posts that I found to be of particular interest to me.
So I contacted him, and am very glad I did. It turns out he's one of the most knowledgeable, forthcoming, and just generally affable person I've met in a long time. He sent me a whole huge packet of things he's published through his micropress IZEN. What follows is a mix of copy lifted extant from the IZEN catalog, followed by a few thoughts of my own, and some images, as well.
IZEN
POB 891
Athens OH 45701
Slightly outdated website: http://www.phys.psu.edu/~endwar/izen/izen.html
I says:
typewriter concrete poems (with the exception of the final poem) that look to have been done with an actual typewriter, but many (though not all) of the poems rely on more than just the spacial arrangement facilities offered by a fixed pitch font, or the contextualizing power of the carefully chosen title. Some of my personal favorites, in no particular order:
I says:
Typewriter concrete poems that operate thus: a single word acts as both title and linear sequence of characters from which every word of the poem is comprised -- unused letters in any given line/word give up their space in the grid to, well, the space. Occasionally a word-sequence will span lines, but rarely. For an indepth introduction to the form, here's a .pdf written by endwar to be the foreword to Out of Words, by Runaway Spoon Press (2003). Some of my personal favorites, in no particular order:
I says:
A series of (mostly) paired single word lines that act as an extended fugue examining the workings of "re". I won't share any excerpts from this one, as I feel that anything partial would ruin the elegant weave of the context that makes this book work. It's a book that needs to be apprehended whole to be properly appreciated.
I says:
As promised, more subverse (see description of "the subverse wanders off the world", above). The second section of this book is devoted to the subverses found in the names of cities. Delightful, delicious, delovely. A few of my favorites, in no particular order:
I says:
I have a particular interest in the traditional poetry produced by poets who are effective producers of non-traditoinal poetry. I like the places where they overlap, where some non-traditional twist is snuck into an otherwise traditional piece or collection. I don't see a whole lot of Poe in here, but I don't miss it, either. I'm not up on my Dante enough to say whether I see Dante in here one way or the other. I do see an honest and joyful heart taking a straight look at the funhouse mirror of love. A couple of my favorites:
I says:
Brilliant. To excerpt this one would also do the book an injustice. It's maginificent in conception and execution, and a candidate for all time highest yield on a running gag. This is probably my favorite piece of all the things that came in this package.
I says:
A terrific sequence of words fitted together such that any given word functions as the the first word in the second pairing and the second word in the prior paring. In this case, I think examples are actually better than any explanation I could possibly construct. So, here's the introduction and the first two pages:
I says:
I am going to hold off on talking about this one, except to say that it's magnificent, until I have obtained my copy of "still water". I want to talk about these two books, plus one or two others all at the same time.
I says:
Absolutely "cheap at 50 cents". This is a blast and a half. Rather than recreate the visual wheel on this one, I'll just point you to a page with links to individual versions of each of the puzzles that appears on this single poster sheet. http://www.phys.psu.edu/~endwar/izen/zpp.html The other reason I'm pointing there and not scanning is because I've already shipped my copy off to someone else who I know will get a kick out of it.
I says:
See for yourself...
I says:
"Nothing" is a clear piece of stiff plastic with the postcard parts printed on it. Difficult to do justice to it with a scan, but what I did was put it cattywampus on a page of the catalog to try and show its clearness.
"Post Card" is shown below, side one, and side two.
Side One:
Side Two:
I says:
A flip book with paper covers and clear pages. My other most favoritest piece in this batch. This is a perfect piece. There is no substitute for holding it in your hand and flipping the pages.
Mouseover to see title, and other side.
Mouseover to see title, and other side.
Mouseover to see title, and other side.
Mouseover to see title, and other side.
Mouseover to see title, and other side.
Mouseover to see title, and other side.
Mouseover to see the other side.
Mouseover to see the other side.
Mouseover to see the other side.
Mouseover to see the other side.
Mouseover to see the other side.
Mouseover to see the other side.
Mouseover to see the other side.
Mouseover to see the other side.
At this point, I think the most appropriate thing I can say is that I highly recommend you support the poets and the presses that are producing the kind of work you enjoy. Get ahold of IZEN, buy some poetry. You will not be disappointed.
IZEN catalog 2006 (52k .pdf)
bIZENess details:
-- all books are 4.25" x 5.5" stapled, and cost $2.00, except where noted.
-- add 50 cents per order to help with postage, etc.
-- allow 4-6 weeks, etc. etc.
-- and please make checks payable to andrew russ
IZEN
POB 891
Athens OH 45701